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• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  A clip from an episode of the TV show Friends shows a woman performing on stage. The scene cuts to her son Chandler who says in an angry...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  All of these mainstream representations of trans characters fail to recognize that genitals do not necessarily equate with gender. There are certainly many trans people who actively choose to...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  In Eulogy for the Dead Sea, Polina’s lens follows the falling of the sun and the rolling saline lake from the sky. Text across the bottom of the...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  While Foote’s photos have stood the test of time, films shot during the strike have largely been relegated to obscurity, and many of them have been lost forever. According...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Native Elegance of the Soul, or Like, Whatever is framed as a walk through the Appalachian landscape. However, through rapid edits, such as, cutting out every second step...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  In Eveline Kolijn’s The Ocean Inside (2019) images of plastic littered along the shore and the pallid remains of a devastated coral reef languish behind a quivering large-scale printed...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...