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• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• FAVA TV: Bringing Media Art to the Masses

  “We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  If existing media systems and networks maintain and monetize off of colonialism, exploitation, state-sanctioned violence, and follow patriarchal operation manuals, then how do practices intent on resisting these motives...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• Editor's Note

  Lozano-Hemmer’s works are immersive and interactive dialogues with technology, often placing the body of the viewer at the centre of the artworks. The exhibition “includes a 30 metre long...

• Jem Noble

  *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• Performing objects, readymade bodies

  Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...