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• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...

• The Wrong Side of the Tracks

  Navigating the road to adulthood is a tumultuous and emotional experience for most, as is the case for Christine “Lady Bird” McPherson, played by two-time Oscar nominee Saoirse Ronan...

• The Wrong Side of the Tracks

  It is 2002 in Sacramento, California, and Christine is in her last year of Catholic high school. Having unofficially re-named herself Lady Bird, she is a conventionally awkward, emotional,...

• The Wrong Side of the Tracks

  Piquant call-back moments of nostalgia, along with brick-sized flip-phones and the school’s overhead projector, disarm the audience with their familiarity and accuracy, until you may be left shaking with...

• Creating a Baseline

  *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Creating a Baseline

  *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...

• Creating a Baseline

  *TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...

• Creating a Baseline

  *TS: What has surprised you about this process so far?* GM: Finding that people believe in my project and that people want to help me. I think there’s...

• Crossing Borders

  The fence, the focus of A Very Long Line, is the symbol of constructed nationalism and a tool to shift transborder discourse. In an earlier related project discussing...