Search Results
You searched for "Searchcall of duty modern warfare 2 2022 bots 【Best BOT site: Coinsnight.com】cn67c2s.aQJY"
-
Lorenza Mazzetti: Free
She filmed Together (1956), her story of two deaf mutes, dock-workers in East London. They are friends boarding with a family that doesn’t want or like them. Every...
-
Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
-
Beyond Social Fact in Susan Hiller's PSI GIRLS
Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”4 Once a...
-
Beyond Social Fact in Susan Hiller's PSI GIRLS
From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...
-
Beyond Social Fact in Susan Hiller's PSI GIRLS
In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...
-
The Spectacle of Power: Ken Russell's THE DEVILS (1971)
The original 107 minute X-rated British cut of Ken Russell’s controversial film, The Devils (1971) is set to be screened on DVD for the first time in Calgary...
-
The Spectacle of Power: Ken Russell's THE DEVILS (1971)
Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...
-
PORTABLE CLOSETS by Kyle Alden Martens
Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...
-
Uncertain Frontiers: Female Identity and Rural Spaces
The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...
-
Uncertain Frontiers: Female Identity and Rural Spaces
If Reichardt’s Meek’s Cutoff probes new ground for female agency, Coralie Fargeat’s 2017 film Revenge rips it apart into a female-centred redemption tale. A French film that premiered at...