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                        That Battle is Over, Girl: Alice Schoenberg
                    
                
            
            
Her superwoman character appears in THIS IS A PROTEST (2018), performed in the dark and highlighted by a strong incandescent spotlight, and a projection on the back wall. The...
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                        Matthew Rankin Asks “Who Owns The Twentieth Century”?
                    
                
            
            
*GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...
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                        Matthew Rankin Asks “Who Owns The Twentieth Century”?
                    
                
            
            
*GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...
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                        That Battle is Over, Girl: Alice Schoenberg
                    
                
            
            
During the performance Ladder(Later)al Movement (2019), my gaze wanders to the top of a yellow ladder, where the superwoman balances perilously on the steps. The precarious tension of watching...
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                        Being Artful: An Interview with Multimedia Artist Brad Necyk
                    
                
            
            
*SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...
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                        The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
                    
                
            
            
In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...
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                        George Kowalik
                    
                
            
            
*George Kowalik* is a student at King's College London, in the first year of an English Research PhD. He is a freelance arts writer who has had work published on...
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                        Editor's Note 
                    
                
            
            
It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...
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                        Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
                    
                
            
            
The cinematic trick of using shooting locations as stand-ins for other places has been a historically popular one. Getting spectators to forget the setting ever used to be Alberta...
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                        Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
                    
                
            
            
In Brokeback Mountain, the setting is the third protagonist alongside Jack and Ennis. Their fleeting encounters in the Wyoming mountains transform their shared desire into love from their first...