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• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• Telling Women’s Stories: A Spotlight on NFB Animation

  She takes up a job as a bearded lady in a sideshow but eventually comes back to her partner. It would seem that she misses flying through the...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced...

• Requiem for a Glacier: Mourning Climate Change

  One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...

• Requiem for a Glacier: Mourning Climate Change

  The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  I found this rather weird. Wasn’t Canada supposed to be more racially inclusive than the United States? Why then did the Americans have more Black TV sitcoms on...