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• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Bielech mirrors that sentiment. Now working as a superintendent at Husky Energy, he strives diligently to “control [his] situation,” emphasizing a sense of empowerment through his ongoing advocacy work...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...

• Black box, white cube, and something in the middle

  But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...