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• Submissions

  Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Ektoplasm-o-vision! with Guy Maddin

  ML: On a different topic, I Googled “Maddinesque” this morning... GM: Oh, I’ve never done that. ML: I got about 10 000 hits. And somebody added it to urbandictionary.com in...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Handmade Portraits

  With In the Backyarden (2015), a film featuring a little girl playing in and exploring her surroundings, McIntyre evokes the time and place of warm, childhood memories. The film is...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: It feels very authentic. TK: I did have Jack Thompson who was a terrific actor and became a minor star. He worked in Hollywood and was in...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• Black box, white cube, and something in the middle

  In contrast to the isolating condition of the white cube, Egoyan took Auroras further in a modification of the installation outside Berlin’s Maxim Gorki Theater in 2015.  Here, double-sided...