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• Keep it loose: a short history of the Artifact Small Format Film Festival

  Now in its 26th year, and in the same shape-shifting adventurous spirit, $100FF has donned a new but familiar name: Artifact Small Format Film Festival. It is a...

• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Wiretapping Pakula's KLUTE

  Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...

• Wiretapping Pakula's KLUTE

  Finally, the sound design also heightens the sensation of intimacy and voyeurism. Much of the film’s narrative centers on recordings: Klute is shown recording Bree, the stalker repeatedly listens...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  The film is based on real events in the 1890s, when Kitchi-manito-waya (Almighty Voice), a 20-year old Cree man, was arrested for slaughtering a government cow or steer...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• Kristen Hutchinson

  *Kristen Hutchinson* (they/she) is a queer and gender-fluid visual artist, cultural critic, curator, writer, editor, and adjunct professor of art history, feminism, media studies, and popular culture. They received...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...