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Time Record: A Memoir of Teenage Cinephilia by VCR
My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...
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Fostering Women and Filmmaking: 30 Years of Herland
The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...
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Fostering Women and Filmmaking: 30 Years of Herland
Somers remembers a far different political climate from today. Feminist films, especially those that openly dealt with women’s bodies and sexuality, were considered controversial by the mainstream. Criticism came...
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Kelaine Devine
*Kelaine Devine* is a techno-crafty artist, designer and creative educator. She merges fibre, drawing, video and media arts into hybrid forms with a long history of working with emerging technologies...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...
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Editor's Note
Lately I have been thinking about which artists are remembered in the annals of art history and beyond and which are not. In Lynn Hershman Leeson’s 2010 documentary !Women,...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
Yet, art institutions have fallen under more scrutiny in the context of the pandemic.8Though artists are expected to continue production for income and reputation, online art production has changed the...