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• Calling All Queers: A Spotlight on NFB Animation

  We hear the story from a third person perspective about how the couple initially grew up together in a group home. One night they pushed their beds together...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Perhaps one of the most personal film about connection in the capsule is Peter Lynch’s My Pandemonia (2020). While the film starts with various images and videos of his life with...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  The tragic Egbert case left a long and twisted trail, and this article will discuss some some strange filmic offshoots of that hysteria: the obscure Canadian film Skullduggery (1983)...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Today it is striking how non-hysterical Mazes and Monsters is. Its TV movie glossiness makes it appear neutered and anodyne. Its score is especially saccharine. The other gamers are...

• Editor's Note

  As noted in the Tate Museum description of the work: “In the House of My Father  was made for the 1997 exhibition ‘9 Nights in Eldorado’at South London Gallery which Rodney dedicated to his father...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What did you learn about Montréal when you made this film?* JL: I learned many things. I did a film before in Gaspésie, and the people who said...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...