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• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  It’s a surprisingly slippery story for such an important moment in Canada’s labour history, but that hasn’t prevented filmmakers from taking a stab at telling the strike story over...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  An unassuming grain silo sits at the path into the Coutts Centre for Western Heritage near Nanton, Alberta. Visitors may be more focused on the gardens, buildings, and...

• Editor's Note

  Lately I have been thinking about which artists are remembered in the annals of art history and beyond and which are not. In Lynn Hershman Leeson’s 2010 documentary !Women,...

• Tourism of Tourism

  Tourism of Tourism consists of twelve street photographs taken during Venice’s Carnival, an annual festival that attracts three million visitors. The series examines tourists in the act of looking,...

• Edmonton Sound Expands

  Since Kelly Ruth moved to Edmonton from Winnipeg,³she has played several solo gigs, participated in multi-artist bills, carried out an artistic residency in Iceland, and, this summer, became the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Fitzgerald’s understanding is that the brutality of the world around them can only justify atheism: “In that moment, he told me, he found God. And it turns out,...