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St. Martins, New Brunswick
Dear Leonard, I saw an albatross at the Royal Ontario Mus eum. Not a real one, silly. In the bird gallery. There’s a glass cage like nothing you’ll ever...
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St. Martins, New Brunswick
I can’t even get the damned letters right. I left my laptop at home because I thought a typewriter romantic—perfumed stationary and click-clack floating out the window. Looney purring...
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Performing objects, readymade bodies
Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...
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St. Martins, New Brunswick
I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...
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St. Martins, New Brunswick
My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...
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Performing objects, readymade bodies
Liddington’s they danced with the understanding that this was for them, eventually it was at the SAAG situates itself within this tradition of quotidian performance on film, movement as readymade....
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Performing objects, readymade bodies
Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...
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Don’t just sit, don’t just stop
Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...
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Don’t just sit, don’t just stop
*LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...
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Don’t just sit, don’t just stop
*LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...