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  • Fascinated and Repelled: an Interview with Lorenzo Fusi

    SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

  • A Revolution (Briefly) Embodied

    For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

  • About

    Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

  • Past Issues

  • Alana Conway

    *Alana Conway* is an independent researcher residing in Calgary, Alberta. She completed a Masters of Anthropology at Carleton University in 2011, with a thesis focusing on Roma Refugee Claimants...

  • Editor's Note

    I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

  • Ektoplasm-o-vision! with Guy Maddin

    Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

  • Warp/Weft/Wept

    A three-part digital drapery study, Jasmin’s review of the word felt—as in haptic and emotive, tactile and affective—echoes triptych tradition. With what seem to be details of hair, oil...

  • A Failed Poet

    He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...