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• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Wiretapping Pakula's KLUTE

  Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...

• Wiretapping Pakula's KLUTE

  Notably, Bree, not the titular Klute, is featured most prominently in the film. We see her in personal, private moments—talking to her therapist, alone in her tiny apartment, walking...

• Wiretapping Pakula's KLUTE

  Finally, the sound design also heightens the sensation of intimacy and voyeurism. Much of the film’s narrative centers on recordings: Klute is shown recording Bree, the stalker repeatedly listens...

• Wiretapping Pakula's KLUTE

  “…somebody may be following her, watching her…” While various men follow and spy on Bree throughout Klute, the ultimate voyeur is not any of them; it is us, it...

• Private Rooms: Suite for Kapwani Kiwanga

  How can I make time out of toxins? —Lisa Robertson                   A Float   If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...

• If you tell yourself garbage is art, is it possible to be wrong?

  Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...

• If you tell yourself garbage is art, is it possible to be wrong?

  Collecting and examining what is discarded by popular culture seems like a secret key for cultural change. Maybe that is why indie culture, rare records, and unique but...

• Maybe We Should Have Made That Doc

  Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length.  *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...

• Maybe We Should Have Made That Doc

  *BB: Speaking of professors, can you tell me about the inspiration for writing Nancy? * CC: One of our professors in film school—Nick Proferes—was the DP on this amazing film from the ’70s called Wanda (1970), which was written,...