Search Results

You searched for "Searchfacebook+password+sniper+2022+【Visit+Kunghac.com】.7Q9D2C.Mrqs"

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Bielech mirrors that sentiment. Now working as a superintendent at Husky Energy, he strives diligently to “control [his] situation,” emphasizing a sense of empowerment through his ongoing advocacy work...

• FAVA TV: Bringing Media Art to the Masses

  The way the system was developed has influenced its success. With FAVA staff using it every day and offering feedback and suggestions, it has allowed growth and improvements according...

• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• Telling Women’s Stories: A Spotlight on NFB Animation

  She takes up a job as a bearded lady in a sideshow but eventually comes back to her partner. It would seem that she misses flying through the...

• Forest Illuminations in the Time of COVID

  This article was written and produced in a couple of locations: Alberta and British Columbia. As guests in these lands. Rocio Graham and the staff at Luma would like to...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced...

• Requiem for a Glacier: Mourning Climate Change

  One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...