Search Results

You searched for "Searchfacebook+password+sniper+2022+【Visit+Kunghac.com】.7Q9D2C.Mrqs"

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  I found this rather weird. Wasn’t Canada supposed to be more racially inclusive than the United States? Why then did the Americans have more Black TV sitcoms on...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...