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The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...
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A Failed Poet
He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...
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Ektoplasm-o-vision! with Guy Maddin
Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...
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Ektoplasm-o-vision! with Guy Maddin
ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...
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Jason Edward Lewis: The Indigenous Future Imaginary
LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...
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Handmade Portraits
This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...