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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
We are introduced to divorcee Melanie (Dawn Van de Schoot) and her two teenage children Madison (Hailey Foss) and Timothy (Kaeleb Zain Gartner), newly moved into Aspen Ridge and...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...
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Shaun Crawford
*Shaun Crawford* has written for radio, commercials, web, extended reality, and film. His films have aired on CBC, HBO, The Movie Network, Showtime, and screened at festivals in Canada...
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George Kowalik
*George Kowalik* is a student at King's College London, in the first year of an English Research PhD. He is a freelance arts writer who has had work published on...
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Editor's Note
It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The cinematic trick of using shooting locations as stand-ins for other places has been a historically popular one. Getting spectators to forget the setting ever used to be Alberta...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The Revenant places a similar emphasis on incapacitation, but the source of Glass’ difficulties is the active danger of the narrative environment. Gone is the deceptive calm of landscapes,...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The entire foundations of their separate lives are as false as the searing image of Ennis and Alma’s trailer home, a perfect “L” shape aligned with a small...