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Femme, Fierce, & f-stops: Women Working in Photography
*CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...
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Being Artful: An Interview with Multimedia Artist Brad Necyk
*SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...
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Editor's Note
It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...
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Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers
Chris Johnson’s story follows Dallen’s. When Johnson started working in the trades at 19, it was perfect for a young kid. It gave him something to focus his...
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FAVA TV: Bringing Media Art to the Masses
“We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...
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FAVA TV: Bringing Media Art to the Masses
Cunningham, a founding member of FAVA, recalls why the organization came into existence in the first place. The gatekeeping of the old way of working was such that...