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• Editor's Note

  There is also much to be said for entering a darkened room in a gallery or museum to become completely absorbed in a large-scale projection with no distractions...

• The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen

  The idea for a new screen began in 2014 when a City of Vancouver public art consultant approached three artist-run centers in Mount Pleasant: grunt gallery, The Western...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  These short films have been released online since May 2020 and, for the most part, were produced during the early stages of the pandemic. They capture the feelings...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Despite their varied tones, imagery, and modes of storytelling, the majority of the Greetings from Isolation films nonetheless cumulatively present a shared experience of life in isolation, primarily through...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Requiem for a Glacier: Mourning Climate Change

  Another strength of the piece is the use of close-ups of the terrain of the glacier, many of which focus of the large rivulets of water flowing downward. In a number of shots, the...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Victoria, BC based artist Colton Hash’s work deals directly with the data produced by the physical world and reflects it in a digital space. The relationship he creates between physical, data,...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...