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• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What I like about the structure is that it's not auteur driven. It starts with the subjects, and you create the story with the subjects. In a...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What did you learn about Montréal when you made this film?* JL: I learned many things. I did a film before in Gaspésie, and the people who said...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• Teresa Tam

  *Teresa Tam* is an artist from and based in Calgary, Canada. Her practice utilizes spaces and experiences that are familiar and then alters them into something a bit...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *TT:* For you, what are some challenges you've had over the years, especially as someone who's an Asian woman? What are some things you wish you had known...