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• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...

• Human Rights and Film at 150

   *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

• Naked and Alone at The Threshold Between Two Worlds

  Titled In The Telestic Waters, I See…, these clusters are the large-scale results of Dragan’s experiments with molybdomancy, an ancient method of divination where hot metal is poured into...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Bielech mirrors that sentiment. Now working as a superintendent at Husky Energy, he strives diligently to “control [his] situation,” emphasizing a sense of empowerment through his ongoing advocacy work...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Dennis Shinksi’s story mirrors many others. Shinski and Dallen were childhood friends and when he got the news of Dallen’s death, his first reaction was anger. That’s when things...

• About

  Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...