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• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• FAVA TV: Bringing Media Art to the Masses

  “We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...

• St. Martins, New Brunswick

  I can’t even get the damned letters right. I left my laptop at home because I thought a typewriter romantic—perfumed stationary and click-clack floating out the window. Looney purring...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Well, when I say singularity here, I don’t mean that the two actions join into a singular perspective, which is nowhere near my intention. Rather I mean...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Despite their varied tones, imagery, and modes of storytelling, the majority of the Greetings from Isolation films nonetheless cumulatively present a shared experience of life in isolation, primarily through...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Victoria, BC based artist Colton Hash’s work deals directly with the data produced by the physical world and reflects it in a digital space. The relationship he creates between physical, data,...

• St. Martins, New Brunswick

  I bought my travel wardrobe at the Nanton Salvation Army, so the black skirts and sheer blouses are threadbare, the scarves patterned with lassoes and smelling of camphor. Wrapping...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  Despite a highly acclaimed Cannes debut, the film struggled to find an audience and disappeared into total obscurity, unavailable for over four decades. In 2009, a restored version (selected...