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• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  Newspapers from across Canada and the United States descended on the prairie city to cover the strike, but according to media historian Michael Dupuis, many of them failed to...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  For Schur, Sokolowski’s story illustrates the connections between the experiences of immigrant workers living in Western Canada just after World War I, and the growing nativist sentiment around the...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  At the core of Stand! is a compelling love story involving Sokolowski’s son (played by Marshall Williams) and their Jewish neighbour (played by Laura Wiggins). Here, Schur takes the...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  The term Anthropocene was popularized in the early twenty first century by Dutch chemist Paul J. Crutzen, who proposed a new demarcation of geological time characterized by a variety...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Nisha Platzer and Malin Schmid’s Seed (2018) is an example of hand processing used in this way. The rough, mottled, hand-processed textures complement the close-up images of plants, water,...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  In Michael Lyons’ Porto Landscape (2018), a “city symphony” film set in Porto, Portugal, various temporal devices are used to complementary effects. Lyons plays with mixing different “speeds” of...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Exemplifying a different approach to time, most of Kathleen Rugh’s Winter’s First Moons (2018) utilizes double and triple exposure to playfully combine footage of the moon in a free-flowing...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  In contrast, Mechanomorphic Nostalgia stimulates violent sensory overload by projecting two reels of film simultaneously. This splits the viewer’s attention, forcing the viewer not only to consider the entire...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Sandy McLennan’s The Last Skate (2018) is a nearly opposite film, but one which is no less radical. McLennan abstracts the horizontal landscapes of a frozen Canadian lake, destabilizing...