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• Don’t just sit, don’t just stop

  Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: How do you measure your success as a photographer?* EB: A few years ago I really sat down and I imagined what my ideal lifestyle would be...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Paige K Boudreau

  Alberta-based filmmaker *Paige K Boudreau* began her career as an editor, cutting lifestyle TV among other projects. In 2010 she transitioned into the role of production coordinator and post...

• FAVA TV: Bringing Media Art to the Masses

  Cunningham, a founding member of FAVA, recalls why the organization came into existence in the first place. The gatekeeping of the old way of working was such that...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: Wake in Fright has been described as a horror film or a sort of horror-western. Was your approach to make it as a genre film?  TK: No, I...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...