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• Nick Johnson

  *Nick Johnson* graduated from the Illustration program of the Alberta College of Art + Design in 2013 and has been freelancing and comic book making ever since. He is...

• FAVA TV: Bringing Media Art to the Masses

  Administrative work is a necessary but often neglected engine of any arts organization. Putting resources into the office is usually an afterthought, and the tools are usually cobbled together...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I first saw The Mephisto Waltz not on a commercial VHS tape, either rented or purchased, but as one taped off of broadcast television. I last saw it...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I would comb it for films I wanted to see, mostly airing in the middle of the night. “Ah, Ikiru (1952) is on Thursday night. I’ll record that...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Fitzgerald’s understanding is that the brutality of the world around them can only justify atheism: “In that moment, he told me, he found God. And it turns out,...