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• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Punning Photography’s Legacy: His dreadful glance

  This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...

• Punning Photography’s Legacy: His dreadful glance

  This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...

• Punning Photography’s Legacy: His dreadful glance

  Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...