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• If you tell yourself garbage is art, is it possible to be wrong?

  Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...

• Maybe We Should Have Made That Doc

  Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length.  *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...

• Maybe We Should Have Made That Doc

  *BB: Did you write the script in terms of shots? * CC: I don’t write in terms of shots. I just can’t think about that until it’s done....

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  With the growth of the amateur film market came the rise of an international amateur cinema culture embodied in magazines, amateur movie contests, and organizations or clubs.⁴The first...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genre’s multiformity, research in...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Mitchell’s screenplay provided a sweeping portrait of prairie life in the 1890s, featuring a large, diverse cast of characters (early drafts included Doukhobors and Chinese migrant labourers), an early-narrative...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...