Search Results

You searched for "Searchfc 26 coins to fc 26 Visit Buyfc26coins.com for latest FC 26 coins news..qVb6"

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande’s performance begins with her standing in a field of tall, yellow grass. She is wearing a slightly transparent robe, and a crown of sticks. LeGrande explains these choices: “The markings...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande reminds me that connection to place isn’t always inherent. When she found herself in a strange land, she reached out to those around her to build community. She shared knowledge,...

• Kathryn Armstrong

  *Kathryn Armstrong* is a consultant and media scholar who has conducted research for the Canadian Media Producers Association, worked for Ontario Creates, and the Toronto International Film Festival. She holds an...

• Mary Hunter

  *Mary Hunter* is an Associate Professor of Art History at McGill University. She specializes in nineteenth-century French art and visual culture, and teaches classes on modern and contemporary art....

• Rocio Graham

  *Rocio Graham* is a multidisciplinary artist based in Mohkinstsis/Calgary, Canada. She emigrated to Canada from Mexico in 2002. Graham obtained a Bachelor of Design in photography in 2017 at the Alberta...