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  • Naked and Alone at The Threshold Between Two Worlds

    I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...

  • Lorenza Mazzetti: Free

    The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

  • That Battle is Over, Girl: Alice Schoenberg

    Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...

  • Lorenza Mazzetti: Free

    Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

  • Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

    By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced...

  • Editor's Note

    For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

  • Editor's Note

    Media art and film creators are particularly fortunate given their creations can often be made available to the online masses either for free or behind a paywall. Still...

  • Lorenza Mazzetti: Free

    Artist, novelist, puppeteer, filmmaker, and friend, Lorenza Mazzetti has spent her lifetime being creative, telling stories, being part of history and making history. Now 91, she lives in Rome...

  • St. Martins, New Brunswick

    My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

  • Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

    Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...

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