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• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• On Context

  Searching for territory beyond the classic “puff piece” directive, Dan Olson wears in a free press pass to the 2016 Calgary Underground Film Festival, takes Harrison Atkins for waffles...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• FAVA TV: Bringing Media Art to the Masses

  The way the system was developed has influenced its success. With FAVA staff using it every day and offering feedback and suggestions, it has allowed growth and improvements according...

• Telling Women’s Stories: A Spotlight on NFB Animation

  She takes up a job as a bearded lady in a sideshow but eventually comes back to her partner. It would seem that she misses flying through the...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  I found this rather weird. Wasn’t Canada supposed to be more racially inclusive than the United States? Why then did the Americans have more Black TV sitcoms on...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: People often glamorize working as a freelancer: you get to pick your own hours, work from home, be your own boss, etc. I know that isn’t always...

• PORTABLE CLOSETS by Kyle Alden Martens

  Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...