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Human Rights and Film at 150
*AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...
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Behind the Screen: Lessons from Making IN PLAINVIEW
*TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better. What...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...
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An object is a slow event.
In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...
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thirstDays No.08: SO WIDE SO LOW SO HIGH
The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...
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St. Martins, New Brunswick
I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...
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The Channelers
Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...
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1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database
AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...
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1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database
The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...