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• Uncertain Frontiers: Female Identity and Rural Spaces

  Ultimately, the film tells a coming of age story that is also a rebuke of rural life, where the farm is a source of violence and repression, while...

• A Failed Poet

  Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  In Jean-Francois Lesage’s 2020 documentary, Prière pour une mitaine perdu (Prayer for a lost mitten), we watch, with voyeur intimacy, the night thoughts of various citizens in Montréal, as...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Bielech mirrors that sentiment. Now working as a superintendent at Husky Energy, he strives diligently to “control [his] situation,” emphasizing a sense of empowerment through his ongoing advocacy work...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Exemplifying a different approach to time, most of Kathleen Rugh’s Winter’s First Moons (2018) utilizes double and triple exposure to playfully combine footage of the moon in a free-flowing...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...