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• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: The mirror is important in Parallel because it is the portal to other universes. But you also use mirrors in your earlier films to convey human identity...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...