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• Editor's Note

  Lately I have been thinking about which artists are remembered in the annals of art history and beyond and which are not. In Lynn Hershman Leeson’s 2010 documentary !Women,...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SHAUN CRAWFORD: According to your artist statement, "Illness is a vital meaning-making event." This is a powerful comment but notably doesn't carry any kind of value - no positive...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...

• Hopping for Hope: Ahreum Lee at The New Gallery

  In all three pieces, Lee asks viewers to consider how our sense of space is mediated by our understanding of physical maps, as well as digital tools. Throughout...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Yet, art institutions have fallen under more scrutiny in the context of the pandemic.⁸Though artists are expected to continue production for income and reputation, online art production has changed the...

• Calling All Queers: A Spotlight on NFB Animation

  We hear the story from a third person perspective about how the couple initially grew up together in a group home. One night they pushed their beds together...