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• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In Disembodied Beings (2019), Olafson contemplates the relationship between the  corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...