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Requiem for a Glacier: Mourning Climate Change
To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...
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Behind the Screen: Lessons from Making IN PLAINVIEW
*TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better. What...
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Bruce Hugh Russell
Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...
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Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF
KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...
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Behind the Screen: Lessons from Making IN PLAINVIEW
Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...
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An object is a slow event.
In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...
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St. Martins, New Brunswick
I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...
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The Channelers
Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...