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  • Anj Fermor

    *Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...

  • St. Martins, New Brunswick

    I bought my travel wardrobe at the Nanton Salvation Army, so the black skirts and sheer blouses are threadbare, the scarves patterned with lassoes and smelling of camphor. Wrapping...

  • Performing objects, readymade bodies

    Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

  • St. Martins, New Brunswick

    My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

  • Performing objects, readymade bodies

    Liddington’s they danced with the understanding that this was for them, eventually it was at the SAAG situates itself within this tradition of quotidian performance on film, movement as readymade....

  • Performing objects, readymade bodies

    Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...

  • Don’t just sit, don’t just stop

    Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...

  • Don’t just sit, don’t just stop

    *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

  • Don’t just sit, don’t just stop

    *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

  • Performing objects, readymade bodies

    they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

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