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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Afterword by Aran Wilkinson-Blanc A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...
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Compassion and Resistance: Rita McKeough’s Works
McKeough’s pedagogy remains sagacious, reflecting the deep, fierce, and interdependent nature of her practice. With origins and influences deeply steeped in the alternative music scene, punk performance, and queer feminist...
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Compassion and Resistance: Rita McKeough’s Works
From exposing violence in the domestic realm to musing about post-apocalyptic futures, one cannot help but notice a speculative world where a human presence is redefined over time by...
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Compassion and Resistance: Rita McKeough’s Works
Inclusivity is a potent agent for change and McKeough has been influenced since the beginning by her activist roots to bring matters of concern into the realm of...
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Compassion and Resistance: Rita McKeough’s Works
The vinyl record accompanying this publication is a bonus addition and features sound works from various performances and installations. Listening to the various sound pieces brings another understanding of...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
An unassuming grain silo sits at the path into the Coutts Centre for Western Heritage near Nanton, Alberta. Visitors may be more focused on the gardens, buildings, and...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
Created within a 1920s grain bin, Donald Lawrence’s Nanton Camera Obscura is a permanent structure at the Coutts Centre. The grain bin was purchased from a local landowner J.R....
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Edmonton Sound Travels
The term “sound art” was originally associated with early 20th century Russian Futurist Luigi Russolo and became popular in 1984 by the Sound/Art exhibit at New York’s Sculpture Centre.1Edmonton had already hosted concerts...