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• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• A Failed Poet

  Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...

• Maybe We Should Have Made That Doc

  *BB: Speaking of professors, can you tell me about the inspiration for writing Nancy? * CC: One of our professors in film school—Nick Proferes—was the DP on this amazing film from the ’70s called Wanda (1970), which was written,...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• Human Rights and Film at 150

  *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.⁹A Thousand Cuts shows just how rare a truthful portrayal...