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Creating a Baseline
*TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...
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A Powerful Audience
ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...
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Jason Edward Lewis: The Indigenous Future Imaginary
LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...
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Maybe We Should Have Made That Doc
Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length. *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...
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Human Rights and Film at 150
*AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...
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Our Lexicon of Dark Corners to Light Up is Always Expanding
LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...