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• Keep it loose: a short history of the Artifact Small Format Film Festival

  Now in its 26th year, and in the same shape-shifting adventurous spirit, $100FF has donned a new but familiar name: Artifact Small Format Film Festival. It is a...

• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Wiretapping Pakula's KLUTE

  Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...

• Wiretapping Pakula's KLUTE

  Finally, the sound design also heightens the sensation of intimacy and voyeurism. Much of the film’s narrative centers on recordings: Klute is shown recording Bree, the stalker repeatedly listens...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  The film is based on real events in the 1890s, when Kitchi-manito-waya (Almighty Voice), a 20-year old Cree man, was arrested for slaughtering a government cow or steer...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...