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• An object is a slow event.

  Based now in Mexico City after having spent the last several years studying at Edinburgh College of Art and at CalArts in Los Angeles, De Laborde’s practice has evolved...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...

• Jasmin Risk

  *Jasmin Risk* is an interdisciplinary artist whose videos, installations, and artist’s books use textiles as support and material. Risk’s work has been exhibited extensively in New York City, including...

• Jesse Cumming

  *Jesse Cumming* is a researcher, writer, and arts administrator based in Toronto. He is currently completing his M.A. in York University and Ryerson University’s joint Communication and Culture program,...

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• An object is a slow event.

  In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...

• Black box, white cube, and something in the middle

  The jewel of the film series was Sergei Parajanov’s resplendent The Color of Pomegranates (1969), selected and introduced by Atom Egoyan. Through a sequence of episodic tableaux, Parajanov composes...

• Black box, white cube, and something in the middle

  In contrast to the isolating condition of the white cube, Egoyan took Auroras further in a modification of the installation outside Berlin’s Maxim Gorki Theater in 2015.  Here, double-sided...

• Black box, white cube, and something in the middle

  But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  Karaoke transition. It’s Elton John’s Benny and the Jets, sung by Brit Bachmann. The final contributors are introduced—I’ve been watching for about an hour and a half. First-time collaborators...