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• Requiem for a Glacier: Mourning Climate Change

  The text sung by the solo vocalist and chorus during the first two movements of the requiem are based on a Latin translation of a 2012 BC government press release that approved the construction of the year-round Jumbo Glacier Resort for skiing.⁵The last two...

• Requiem for a Glacier: Mourning Climate Change

  One of the first images in the video installation is of the chorus, shot from behind, being led by conductor Ajtony Csaba, music professor and symphony orchestra director at the University of Victoria. Everyone dressed in black to...

• Requiem for a Glacier: Mourning Climate Change

  Several times throughout the piece, the camera focuses upon the conductor. He stands alone, in the centre of the screen on an outcropping of rocks, facing the glacier in his tuxedo...

• Requiem for a Glacier: Mourning Climate Change

  In another section of the video installation, a woman attached to a safety rope, slowly and methodically walks across the glacier. She is singing with sheets of music in her hand, seemingly communing with, and offering homage to, the...

• Requiem for a Glacier: Mourning Climate Change

  The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

• Requiem for a Glacier: Mourning Climate Change

  Another strength of the piece is the use of close-ups of the terrain of the glacier, many of which focus of the large rivulets of water flowing downward. In a number of shots, the...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Victoria, BC based artist Colton Hash’s work deals directly with the data produced by the physical world and reflects it in a digital space. The relationship he creates between physical, data,...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In Disembodied Beings (2019), Olafson contemplates the relationship between the  corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...