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Failure, Transformation, Order: Tasman Richardson's "Janus"
Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...
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Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation
Despite their varied tones, imagery, and modes of storytelling, the majority of the Greetings from Isolation films nonetheless cumulatively present a shared experience of life in isolation, primarily through...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jones’s showing the...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...
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That Battle is Over, Girl: Alice Schoenberg
Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...
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Hopping for Hope: Ahreum Lee at The New Gallery
During the opening of the show, people slipped off their shoes and tried to hop the entire map on one foot, to cheers and encouragement from the crowd....
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An object is a slow event.
NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...
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A Failed Poet
Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...