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• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  Despite its title, this series of films is anything but quiet. Terracciano’s use of the adverb speaks more to her approach of capturing how each artist dances. She...

• Telling Women’s Stories: A Spotlight on NFB Animation

  The short animation points to how media has distorted feminist messages and seeks to redress these negative perceptions. The continued representations of women protesting in Assembly throughout the last...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genre’s multiformity, research in...

• The 10th Alberta Biennial

  Creating limitless entry and exit points, Object Vocation exists as a rhizome, working laterally rather than hierarchically. It resists narrative structure, enabling a waterfall of connections between semiotic chains,...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  How do these films capture our pandemic present and how will they be understood in the future? Will we watch them years from now and get this same...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Despite their varied tones, imagery, and modes of storytelling, the majority of the Greetings from Isolation films nonetheless cumulatively present a shared experience of life in isolation, primarily through...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jones’s showing the...