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• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• The 10th Alberta Biennial

  The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...

• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...

• First Nations Involvement in Alberta’s Film Industry

  Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

• Editor's Note

  When I was a kid I absolutely adored the Wonder Woman TV series. To me, she was an aspirational, kick ass, female warrior. She made me believe that...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Shot on an early 2000s using a digital camcorder, the participatory documentary showcases the specific moment in time that our group of friends and the extended queer community were...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• Handmade Portraits

  With In the Backyarden (2015), a film featuring a little girl playing in and exploring her surroundings, McIntyre evokes the time and place of warm, childhood memories. The film is...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya discusses how the photos she is recreating are mediated: “I suspect that many of the vintage photos of my mom are the ones that my dad took,”...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...