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That Battle is Over, Girl: Alice Schoenberg
Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...
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Editor's Note
Director of PACE Philomina Okeke-Ihejirika says “it is time to explore the specificities of blackness in Canada.” 9 The theme the PACE’s Black History Month 2021 is asking difficult questions, including a...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...
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Hopping for Hope: Ahreum Lee at The New Gallery
During the opening of the show, people slipped off their shoes and tried to hop the entire map on one foot, to cheers and encouragement from the crowd....
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An object is a slow event.
NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...
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Ektoplasm-o-vision! with Guy Maddin
Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...
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A Failed Poet
Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...
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Editor's Note
I agree with the artist that things will return to “normal” eventually. Hopefully we will create better forms of “normal” where we will use the pandemic as a wake-up...
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The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?
These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
These are some of the first images and snippets of dialogue from B.G-Osborne’s ten-and-a-half-minute 2018 video installation A Thousand Cuts. Appropriated clips of representations of trans people played by...