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• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• A Powerful Audience

  SS: But then at the same time, you know, I was [also] on the panel for women. There was a live audience, really great conversations at CIFF this...

• A Powerful Audience

  SS: When I was on a panel for Herland, a man approached me and said, ‘It would be great if you did this for men,’ and I said,...

• A Powerful Audience

  *PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...

• Without the river children cannot learn how to count

  Introduction by Lindsay Sorell.

• The Wrong Side of the Tracks

  It is 2002 in Sacramento, California, and Christine is in her last year of Catholic high school. Having unofficially re-named herself Lady Bird, she is a conventionally awkward, emotional,...

• The Wrong Side of the Tracks

  Piquant call-back moments of nostalgia, along with brick-sized flip-phones and the school’s overhead projector, disarm the audience with their familiarity and accuracy, until you may be left shaking with...

• The Wrong Side of the Tracks

  The car similarly acts as a rite of passage, and a symbol of class. The popular girl character, Jenna, drives herself to school in an enormous SUV. They...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• Creating a Baseline

  *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...